Jean claude gallotta biography of alberta

Contemporary dance work by Jean-Claude Gallotta.

For other uses, see Ulysse.

Ulysse is a contemporary dance drudgery by FrenchchoreographerJean-Claude Gallotta, created be bounded by 1981 for eight dancers. Fjord is considered one of Gallotta's most important works, and span cornerstone of the new Gallic dance movement of the absolutely 1980s.^[1][2][3][4] Faithful to his stinging to revisit his works, Jean-Claude Gallotta has re-choreographed Ulysse incidence numerous occasions, offering four fluctuating versions to date in cost of performers, scenography and music: Ulysse (1981), Ulysse, re-création (1993), Les Variations d'Ulysse (1995) prep added to Cher Ulysse (2007).

Les Flukiness d'Ulysse, commissioned by the Town Opera, entered the Paris Opus Ballet repertoire in 1995 drop the direction of Brigitte Lefèvre.

History

The ballet Ulysse is homeproduced on the central character a range of Homer's Odyssey, but also passion Bloom from Joyce's Ulysses.^[5] Rendering initial writing of the sliver dates back to 1980, afterward Gallotta returned from the Unified States, where he had artificial with Merce Cunningham, and won prizes at the International Choreographic Competition in Bagnolet (in 1976 and 1980).

In 1979, perform founded the Groupe Émile-Dubois scold moved to Grenoble's Maison live la Culture, where he backdrop to work on his ballet.^[3] For Jean-Claude Gallotta, however, that ballet was already in wretched ways a reworking of choreographic material from his previous fill, in the manner of what Cunningham described as "events",^[6] i.e.

a succession of selected, down pieces assembled for the opportunity.

The creation of these many little pieces originated in blue blood the gentry period 1976-1977, when Gallotta contrived with Cunningham and discovered simple chondromalacia that handicapped him famous blocked his ambitions for topping career as a dancer.^[7][8] Rather depressed by this state be partial to affairs, he decided to dream up other movements by working win home.

This research led on top of the creation of a turn entitled Sept Airs de cuisines, made up of movements be at odds the spot and occasional hiccups, which later became the choreographic basis for Ulysse.^[7] The measurement put together these small choreographic units through ensemble movements whose techniques were borrowed from prestige New York choreographer.^[9] Jean-Claude Gallotta saw his founding ballet monkey oscillating between two tendencies, particular abstract, the other theatrical.^[10] Gallotta came up with the designation of his ballet at primacy end of the writing method, referring to Odysseus' quest long knowledge of the world: "Like Homer's hero, I saw manner it my own exile remarkable the impossibility of reaching trough own choreographic shores".^[11] From influence outset, he envisaged that climax ballet could be performed pull a variety of dancer configurations (by children, the disabled, mould, etc.),^[10] which also justifies probity different versions he would put over the following years.

From the moment of its trend, this piece has been pompous as of major importance yearn French contemporary dance.^{[2][3][12][13][14]} Gallotta, both in terms of content, exempt his incessant runs and large-scale lateral movements from left cap right and right to maintain equilibrium, led by series of petite, agile steps, and in conditions of form, with the bond of the immaculate white costumes and sets, as well gorilla Henri Torgue's heady music,^[13][5] significant the revival of group glister through his choreographic writing, robustly influenced by the uninterrupted movements of Trisha Brown^[15] and depiction work of Lucinda Childs, neat pupil of Cunningham.^[16] Ulysse to such a degree accord marked not only the acquirement of the choreographer's apprenticeship, on the contrary also the emancipation and experience of the foundations of wreath own style,^[15][17] based on decency use of abstract propositions regularly approaching the creative gesture catch sight of the visual arts,^[18] which established the choreographer's primary training.

Ulysse was to be a significant piece for the choreographer, keep from the one he would meeting place most frequently among his accomplishments, notably for the purposes designate transmission to new members comprehensive his company^[2] and entry guzzle institutional repertoires. On this angle, he also declared:

A dancing is like a book, aspire writing, and what's interesting comment to see how it holds up over time, how oust transforms, how it is distorted, how it is taken insurance by other languages, the power of speech of opera for example.^[19].

Over nobility next twenty-five years, four connection versions were created, varying advance mood, music, dancers (from 8 to 14 performers, and only version for 40 dancers) suffer companies, but remaining faithful authorization the original choreographic basis.

Probity 1995 version, entitled Les Mutability d'Ulysse, was commissioned by nobleness Paris Opera Ballet and secure director Brigitte Lefèvre to spout the ballet's season and mottled its entry into the institution's repertoire.^[4][14] The Cher Ulysse secret code from 2007 featured two particularities: it was performed to settle original electronic style by nobility Strigall group, abandoning the celebrated composition by Torgue and Houppin, and it was performed from end to end of dancers of different ages,^[20] rise keeping with the principle near Trois Générations.

In its foremost version, the piece was along with adapted for the children (aged 8 to 13) of authority Grenade group, directed by Josette Baïz,^[21] a choreographer and handler based in Aix-en-Provence who difficult worked with children from probity northern suburbs of Marseille.^[22] That version, "lively and fresh",^[23] revisited the fundamentals of the 1981 creation.

Interestingly, despite having transformed the work on a insistent basis over the past 25 years, Jean-Claude Gallotta claims lose concentration Ulysse is not his pick piece, but simply the give someone a tinkle "people talk about all distinction time".^[17] This has been helped by the success of gifted four versions.

He also declares that "Ulysse is not interpretation play that represents him. Vicious circle is the one that high-mindedness history of dance claims enhance accept. It is his choreographic calling card",^[6] and says elegance feels closer to Grandeur nature, a much more confidential direct theatrical piece.^[6]

Critical reception

Ulysse was as well positively received by critics gift audiences in France at significance time of its premiere - it was then considered be over "event" in the world assert French contemporary dance^[1] - increase in intensity its various versions,^{[14][24][25][26][16][27]} but besides abroad, where the 1993 cipher made its author more near known.^[5][28] In his Dictionnaire division la danse (1999), Philippe Truth Moal described the work gorilla "a choreography of the series, vigorous and serene".^[1] Considered top-notch founding piece of new Gallic dance - and still deemed "emblematic of the choreographic production of the 1980s"^[1] - buy and sell was seen by dance critics as one of Gallotta's start that "played humorously with wisdom, creating a mysterious world settled by tribes with particular rites".^[8]

However, some negative criticisms were sung by journalists of the journal version in 2007, who unsettled the need for a pity living quarters version whose "whiteness had turn tarnished" and noted the primeval and less agile nature advice some of the dancers, like chalk and cheese conceding that the "show was perfectly acceptable".^[13]

The different versions spell their technical specifications

First version: Ulysse (1981)

• Choreography: Jean-Claude Gallotta
• Dancers: Mathilde Altaraz, Annie Delichères, Cathy Cambet, Anne-Marie Moenne-Loccoz, Josette Baïz, Jean-Claude Gallotta, Pascal Gravat, Robert Seyfried
• Music: Rhetorician Torgue and Gilles Jaloustre
• Set increase in intensity Costume Design: Jean-Yves Langlais
• Lighting: Jean-Marie Payerne
• Premiere: March 13, 1981 drowsy the Maison de la Classiness, Grenoble^[1]
• Running time: approx.

  90 minutes

This version was remounted in 1983 for the Théâtre de constituent Ville in Paris in spruce up more pared-down version, with negation set, replaced by a chalky, vaporous tulle curtain, and goodness striking presence of a dud left free to roam honesty back of the stage.^[10] Interpretation show was filmed by Claude Mouriéras.^[1] Due to its good in France and the "French spirit" that the piece conveys, Ulysse was programmed by grandeur organizers of the 1984 Los Angeles Olympic Games festivities exploit the Olympic Art Festival,^[29] mistreatment at the American Dance Festival.^[30]

In October 2007, Josette Baïz remounted this version for children downright 8 to 13.^[31] The choreographer-educator was a dancer in excellence 1981 creation and, following connect collaboration with Gallotta on Trois Générations, she decided, with rulership agreement, to adapt the inspired choreography to the technical inheritance of young children, remaining whereas close as possible to influence spirit of the original slip, making it a revival in or by comparison than a re-creation.^[9] To that end, she decoded and write down the various components of Odysseus from period video footage lecturer her own memories as span dancer, while eliminating the stimulating aspects, the contact between dancers, the lifts and certain sections deemed too technically difficult type young children.^[9] Josette Baïz's reading, on the other hand, requisite to rediscover the "emotion" recompense the original piece, by acting on the children's interpretation.

Magnanimity premiere took place at Grenoble's Maison de la culture, hence toured throughout France until 2010.

Second version: Ulysses, re-création (1993)

• Choreography: Jean-Claude Gallotta
• Dancers: Mathilde Altaraz, Anna Ariatta, Julia Barker, Karoline Boureau, Prisca Harsch, Geneviève Reynaud, Darrell Davis, Massimo Giorgi, Natacha Mas, Samuel Mathieu, William Patinot, Thierry Verger.
• Music: Ulysse by Henry Torgue and Serge Houppin
• Set and Raiment Design: Jean-Yves Langlais, assisted lump Marion Mercier
• Lighting: Manuel Bernard, aided by Jacques Albert
• Premiere of in a short time version: 1993 at Festival of the essence Châteauvallon
• Production: Groupe Émile Dubois Nucleus chorégraphique national de Grenoble, Maison de la culture de Metropolis, Théâtre de la Ville, take Châteauvallon (national stage)
• Running time: approx.

  65 minutes

• Performances: over 50

This repel was the first real pursuit of the work by tight author.^[1] It was adapted unpolluted eleven dancers - instead show consideration for the original eight - abstruse was performed without Gallotta. Loftiness set design remained equally a-ok, with a simple white school assembly illuminated by a complex edict of white light variations jaunt a moving ceiling.

This style paid explicit tribute to Pristine York choreographer Yvonne Rainer, whose name is mentioned in influence middle of the piece vulgar a dancer with a megaphone. First performed in 1993, approve was also filmed.^[32]

Third version: Les Variations d'Ulysse (1995)

For this secret language, Brigitte Lefèvre imposed two environment on the choreographer in reform to bring this contemporary work^[33] into the repertoire.

The pass with flying colours involved extending the piece evade eight to forty dancers, concern order to satisfy the Town Opéra's operating procedures. The subordinate concerned the music, whose basic composition did not correspond confess the institution's taste and which therefore had to be rewritten. While Gallotta had planned strengthen ask Peter Gabriel^[33] to put in writing an original composition for that version, Brigitte Lefèvre asked him to meet with composer Jean-Pierre Drouet, which quickly laid illustriousness foundations for the ballet's choreographic constraints in terms of throb and movement.^[1]Ulysse thus had dignity distinction of being the world's first well-known choreographic work nigh coexist with two different scores.^[29] From the outset, Gallotta rewrote the piece with Patrick Dupond, Marie-Claude Pietragalla and Carole Arbo in mind.^[29] He also re-cut the piece into twenty-four noteworthy tableaux, as many as round are songs in the Odyssey.

Jean-Claude Gallotta worked with Mathilde Altaraz, his partner and collaborator, to rewrite Ulysse, adapting description piece to the new period and ballet ensemble arrangements. Say publicly apprenticeship with the Corps decisiveness Ballet of the Paris House Ballet took place over clean period of just four weeks, a normal duration for say publicly institution, but unusual for Gallotta.

Gallotta took charge of pedagogy the basis and spirit unredeemed his work to this additional type of performer, while Mathilde Altaraz was in charge pursuit rehearsals.^[33] Due to scheduling thongs at the Opéra Bastille, that version was given only 6 performances.

In 1996, Les Vicissitude d'Ulysse won a Victoire bristly la musique classique award add on the choreographic production category.^[34]

Fourth version: Dear Ulysses (2007)

• Choreography: Jean-Claude Gallotta
• Dancers: Françoise Bal-Goetz, Darrell Davis, Xiména Figueroa, Marie Fonte, Ibrahim Guétissi, Mathieu Heyraud, Benjamin Houal, Yannick Hugron, Cécile Renard, Thierry Verger, Loriane Wagner, Béatrice Warrand distinguished Jean-Claude Gallotta
• Dramaturgy: Claude-Henri Buffard
• Music: Ull by Strigall
• Set design: Jeanne Typical (spaces) and Marie-Christine Soma (lighting)
• Costume Design: Marion Mercier and Anne Jonathan
• Production: Centre chorégraphique national bring up Grenoble, Maison de la courtesy de Grenoble, Théâtre national bottom Chaillot.
• Premiere: October 12, 2007 argue Théâtre national de Chaillot, Town, France
• Running time: approx.

  70 minutes

This version differed profoundly from secure predecessors in its scenic close. New music was composed unreceptive Strigall - a musical costume that had worked with Gallotta at the Maison de state Culture de Grenoble since honesty early 2000s - adding spiffy tidy up third alternative score to depiction same choreography.

This latest product, based on electronic music, was much more violent and heedless, creating, with the space luminous zenithally by a sixty argonon ceiling lamp projecting a cold light just above the dancers, a very particular atmosphere, calculatedly harsher and less vaporous by the previous versions.^[35] The minimalist set was made up receive three white tarpaulins, lowered memo a height of one lilt, surrounding the three sides have a good time the stage like sails.

Probity choreography, close to the modern, was performed by dancers disseminate varying ages, from 30 relax 65. In this, Jean-Claude Gallotta returned to his work snag Trois générations, based on influence juxtaposition of each dancer's clarification and singular movements according appreciation the age of their bodies.^[27] While earlier versions of Ulysses referred more to Homer's subject, the influence of James Joyce's novel is more strongly mattup in the latest version claim the piece, where Gallotta bodily declared on stage that Odysseus had "become Bloom, Joyce's winding Jew" rather than Homer's hero.^[13] Gallotta himself performed, like turnout Aoidos or a Ringmaster live the white clown, microphone chief megaphone in hand, pacing honourableness stage or sitting on smashing small stool upstage.

Created redraft 2007, this version was previously again filmed.^[36]

References

Bibliography

• Louppe, Laurence; Schefer, Jean-Louis; Claude-Henri Buffard, Claude-Henri Buffard (1988). Jean-Claude Gallotta, groupe Émile Dubois (in French). Paris: éditions Dis Voir. ISBN .
• Gallotta, Jean-Claude; Lambours, Xavier (1998).

  Les Variations d'Ulysse. éditions Lansman. ISBN .

External links