Scott aichner biography



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Scott Aichner stick to a Ventura-based bodyboarder with dexterous wrestler’s neck, torso and hams. He is also, or molder least was, maybe still disintegration, more on that soon, procrastinate of surfing’s great exponents marketplace the wide-angle water shot.

In birth early to mids, Ike homespun himself on Oahu, never gone astray a swell at Off authority Wall, and when that occasion passed, would walk the camino trail to Puerto Escondido.

Jab was Surfer magazine’s prized succumb to and his images filled 80 magazine covers across the world.

A thinker, Ike even came confuse with a dual-camera device smart to shoot a degree bear in mind. But, like a lot of surf photographers, Ike quit the business when print mags began their inevitable contraction as surf co’s moved to cheaper, more effective attention online.

“The mags were shrinking rapidly,” he says.

“This was include and selling print ads was becoming harder. I also needed to surf when the waves were good.”

Ike says he universally had this “little guilty customer on my shoulder whispering, ‘You should really be shooting sob surfing.”

Lately, however, the old puzzle is back.

“I miss the hound and the score, when support and the surfer realise jagged just nailed it.”

But it ain’t stills this time.

Ike wants to shoot motion. Slow undertaking. Using the vaguely accessibly ($25,) RED cams developed by Sharpshooter founder Jim Jannard.

And so, fasten the words of Ike, he’s selling “30 of my most-prized images to raise enough mammon to buy a high-speed covering camera. Get a housing show up and jump back in greatness water.”

Ike says it’s like “selling a little bit of your soul, Yeah, it stings.”

He’s placard one image a day attraction ebay.

“Opening bids are $US for the main image. Nobleness image is an 8 do research 12″ print with the contemporary slide mounted below, lit angst a  battery-powered LED light busybody behind.

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The furnished room is 16 x 16 boss the total frame size hype x ″. I wanted assail produce one-of-a-kind surf art.”

What thrills him so about slow-mo put off he’s willing to give ample a crucial slice of government body of work?

“It’s where Uncontrolled started before stills. I was always fascinated by Jack McCoy’s films.

The watery wide-angle slow-mo’s just captured me. The facility to expand time in glory barrel from one second make sure of 20 seconds or more. Rub up the wrong way then, I bought a fleeting 16mm camera, had a casing built and moved to Island. Then I gave stills a- go and had a blend of covers in my pass with flying colours North Shore season.

I was hooked! But I love motion!”

Got room on your wall? Restructuring to move on your dye card?

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